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Richard Thompson and Danny Thompson Industry 1997 FLAC
Type:
Audio > FLAC
Files:
14
Size:
270.42 MB

Tag(s):
Richard Thompson Danny Thompson Musical Impressions Musical Images

Uploaded:
Feb 12, 2017
By:
mysterioso



Richard Thompson and Danny Thompson - Industry 1997 FLAC

Industry is an album by Richard Thompson and Danny Thompson released in 1997.
The two unrelated Thompsons had known each other since the late sixties, and 
had toured together throughout the nineties. This long-planned collaborative 
work was finally recorded in 1997.

The compositions on the album - both Richard Thompson's songs and Danny Thompson's instrumental pieces - portray various impressions of the impact of industry on England, ranging from the birth of the industrial revolution to the closing of the Grimethorpe Colliery and the effects of unemployment.

01 Chorale
02 Sweetheart On The Barricade
03 Children Of The Dark
04 Big Chimney
05 Kitty 'Tommy, Quick! Get Up. I Can Hear Clogs...
06 Drifting Through The Days
07 Lotteryland
08 Pitfalls
09 Saboteur
10 New Rhythms
11 Last Shift

Total Time = 44:01

AllMusic Review:
Industry, the first official collaborative release from singer/songwriter/guitarist Richard Thompson and double bassist Danny Thompson, is a superb collection of pieces: six songs by Richard and five instrumentalsby Danny, revolving around the impact of the industrial age from the 18th century to the 1990s. The record doesn't come across as, and isn't meant to be, a history lesson, but rather an attempt to evoke the feel of the times and capture the lives of the people who lived and worked through the period. The Thompsons, joined by members of Danny's band Whatever, as well as his uncles Albert and Harry Thompson on trombones and Richard's longtime associates Dave Mattacks on drums and Christine Collister on backing vocals, incorporate jazz, rock & roll, and traditional British folk music to convey their impressions of industry through the years. Richard, with songs such as the melancholy "Drifting Through the Days," the edgy "Saboteur," and the bouncy folk of "Lotteryland," has created some of his most challenging music to date. Meanwhile, Danny, whose family actually worked the coal mines, elicits the sadness, drudgery, and even joy of industrial England with sounds ranging from 18th century-style brass bands to British traditional music and modern jazz. Industry, from the foreboding opening instrumental, "Chorale," to the mournful closer, "Last Shift," is for the most part a dark ride through the mines and factories, and the lives and times of the people who made and were affected by the industrial age